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Yoshiko Arahata

Yoshiko  Arahata
Theory/Collaborative Piano
Music

Contact Info
yarahata@nmsu.edu
(575) 646-2421

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Biography

Dr. Yoshiko Arahata is an Assistant Professor at New Mexico State University where she develops a new collaborative piano curriculum and teaches music theory and composition. Arahata came to NMSU following a two-year appointment as Visiting Assistant Professor of Chamber and Collaborative Music at Indiana University Jacobs School of Music. She also created and teaches a summer course The Pianist’s Guide to Dance Accompaniment that fosters keyboard versatility at the Eastman School of Music. Arahata serves on the Creative Music Making committee of the National Conference of Keyboard Pedagogy and is an active master class teacher and competition adjudicator.

Praised for “possess[ing] an exacting facility at the keyboard, playing with a vibrancy not often heard” (Rochester CITY Newspaper), Arahata enjoys a versatile musical career as a pianist, educator, improvisor, and composer. Grounded in both solo and collaborative classical music, her artistic practice blends jazz, contemporary, and world music, often intersecting with dance, theater, and visual arts. 

A top prizewinner of national and international competitions, including the Los Angeles International Liszt Competition, Arahata has performed at renowned venues such as Carnegie Hall, Dorothy Chandler Pavilion, Zipper Hall, and Preston Bradley Hall, as well as across the United States, France, Spain, Italy, Greece, Japan, Hong Kong, and Guatemala. She was named a fellow of the prestigious Gilmore International Piano Festival and is frequently featured on k-Mozart 105.1 FM and WXXI Classical 91.5 FM. Her diverse concerto appearances span traditional works by Bach and Beethoven to contemporary ensembles featuring piano by Wolfgang Rihm, György Ligeti, Steve Reich, and Aaron Jay Kernis. 

A highly sought-after collaborative pianist and chamber musician, Arahata has performed with renowned artists such as violinists Charles Castleman and Robin Scott, clarinetist Gábor Varga, conductor Jerry Hou, flutist Adam Sadberry, mezzo-soprano Jessica Ann Best, and principal musicians from the Toronto, Pittsburgh, and Rochester Philharmonic Orchestras. She has appeared at prominent festivals, including the Garth Newel Chamber Music Festival and Castleman Quartet Program, and has collaborated extensively with brass, woodwind, and percussion in Chicago. Additionally, Arahata has performed in over 15 large ensembles, spanning orchestras, Baroque, woodwind, and contemporary music ensembles, jazz bands, ballet and modern dance companies, and an Argentinian tango band.

Deeply committed to promoting diverse voices in classical music, Arahata regularly performs and premieres works by living composers and historically marginalized artists. She has initiated projects such as “Music After 2000” percussion-piano tour, an All-Female Piano Trio program, and a multimedia contemporary opera production that raised funds for Black Lives Matter and local arts organizations. She is also the founder of the Elgin Trio, Ensemble-in-Residence for the Music Bus Tour, a pioneering program created by the acclaimed WindSync. Her work has been featured at major conferences and prominent piano platforms, including the National Conference on Keyboard Pedagogy, Frances Clark Center Piano Inspires, International Keyboard Collaborative Arts Society, International Society for Improvised Music, Conero Piano Pedagogy Conference, and Asian Classical Music Initiatives. Her upcoming engagements include the College Music Society’s International Conference in Colombia and SHE: Festival of Women in Music.

In addition to her performance career, Arahata is an active composer, improviser, and cross-disciplinary collaborator. Her recent work, Odyssea (2023), a 30-minute dance-on-film composition produced in collaboration with Quicksilver Dance Company, has been showcased at Fringe Festivals in Edinburgh, UK, New York, New Zealand, and won the 2024 Toronto IndieFilmmakers Festival Award.

Arahata holds a Doctor of Musical Arts and Bachelor of Music in Piano Performance from the Eastman School of Music and a Master of Music from Northwestern University, and a Bachelor of Science in Brain and Cognitive Sciences from the University of Rochester. She studied with esteemed pianists Barry Snyder, Alan Chow, Enrico Elisi, and Dariusz Terefenko, and credits her early teachers Manami Kawamura, Nobuyo Nishizaka, and Nobuko Kuriyama with shaping her musical foundation. During her decade of residency in the upstate New York, she has held diverse teaching, coaching, and jazz ensemble directing positions at over 5 universities and community music schools, including Eastman, where she maintained a full studio for both collegiate and community divisions and received the Excellence in Teaching Assistant Award. Arahata grew up in Los Angeles, Japan, and Hong Kong and enjoys traveling, photography, and painting.

Yoshiko Arahata is a Yamaha Artist.

For more on Dr. Arahata, visit here.   (photo by Chris McGuire)